Oil colours form a greasy layer and are therefore not suitable as a ground for acrylic colours.  

For airbrush we recommend Amsterdam Acrylic Ink. This ink has already been diluted and can be applied immediately, without thinning.

Amsterdam Inks have been tested with a 0.2 mm needle. In the colours white and metallic, the pigment parts are larger and we therefore recommend a 0.4 mm needle to prevent jamming.

Due to the large adhesive strength of the binder, acrylic colours and the various gel mediums are ideally suited for a durable application on various materials.

A condition for a good adherence is that the surfaces of the materials to be glued are free of grease and somewhat absorbent.

The most durable result is achieved if the materials are fully encased by the paint or gel, certainly in connection with the adhesion when it concerns the less porous materials such as sand, pebbles, glass, etc, but also porous materials such as paper and cardboard are therefore protected against any damaging external influences.

If the natural colour of the material has to remain visible, use one of the gel mediums.

Oil colours form a greasy layer and are therefore not suitable as a ground for acrylic colours.  

For airbrush we recommend Amsterdam Acrylic Ink. This ink has already been diluted and can be applied immediately, without thinning.

Amsterdam Inks have been tested with a 0.2 mm needle. In the colours white and metallic, the pigment parts are larger and we therefore recommend a 0.4 mm needle to prevent jamming.

Due to the large adhesive strength of the binder, acrylic colours and the various gel mediums are ideally suited for a durable application on various materials.

A condition for a good adherence is that the surfaces of the materials to be glued are free of grease and somewhat absorbent.

The most durable result is achieved if the materials are fully encased by the paint or gel, certainly in connection with the adhesion when it concerns the less porous materials such as sand, pebbles, glass, etc, but also porous materials such as paper and cardboard are therefore protected against any damaging external influences.

If the natural colour of the material has to remain visible, use one of the gel mediums.